It was one of the best things that could’ve happened in the whole process, him saying ‘I’m not gonna let you do what you did before’. He took all the drums out and put electronic drums in, saying ‘I’m not gonna let you do this as straightforward as you want to do this and I’m not gonna let it be a full song, it’s gonna be about a minute and a half’. Jacknife stripped it down and built it back up from the beginning. As soon as I played it to him he said ‘you’re doing it again, this is the McCartney school of song-writing you keep coming back to’. “The demo that I brought to Jacknife was a little more frilly,” Alex says, “there’s a lot of lovely chords in there.
So amid the synth gloss of ‘Once’, the pounding disco rock of ‘Dirty Air’ and the Chic funk of ‘So Many People’, you’ll find distorted, subaqueous boudoir soul akin to a sunken Jungle (‘Think’), or a two-minute interlude of multi-dimensional lounge pop called ‘Break’, which sounds like an AI trying to write a Beatles song.
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